Reading Wendell Berry's "A Place on Earth"

The only book I loved this year was A Place on Earth by Wendell Berry. Although I’d been meaning to read his fiction for years, I started this book (according to my Goodreads activity) the day after my sister’s diagnosis. I had some idea that reading about a small farming community in Kentucky, written by the octogenarian poet-farmer-essayist-novelist Berry, would be comforting. I had no idea how deeply I’d identify with the character of a 60-year-old tobacco farmer.

All of Berry’s fiction—a smattering of novels, novellas, and short stories—take place in the same fictional town of Port William, Ky., which is based on Berry’s own hometown. It’s a small town, and each work focuses on a different family or generation or set of friends, so that reading them as a whole brings the entire interconnected community to life.

Read the complete article by Janet Potter at The Millions.


A Profile of Tanya Berry

That’s the home Tanya Berry has made, in a rural community that endures — at least for now — because of people like her. Over those years, she has honed skills in farm work and the domestic arts, while serving as perhaps the most important fiction editor almost no one has heard of, married to one of the most important American writers almost everyone knows.

All this started more than a half-century ago with her leap of faith that an artsy city kid could learn, from scratch, what was needed to make a farm home. She grew up mostly in California, moving around often, and the early years of their marriage took them from Kentucky back to California, then to Europe and New York — part of what she once assumed would be a cosmopolitan life with a writer and academic.

But Wendell wanted to go home, and Tanya wanted to put down roots somewhere.

“He needed to be home, and I was flexible because I didn’t belong anywhere in particular. So, I took this on with him,” she says. “It’s not always been perfect. None of it has been perfect. But it’s been right. It’s been the right thing.”

Read the complete essay by Robert Jensen at Yes! Magazine.


Reflections on the Wendell Berry documentary

I was introduced to the agrarian world of the writer, Wendell Berry, in my intro to philosophy class in college. I have been an avid reader of Berry ever since. His novels, essays, and poetry, have been a rich source of comfort, hope, and rebuke in my life.

There is something to Berry’s writing that I am drawn to. He carries a degree of elusivity that requires constant unpacking. It contains a truthfulness that I am not always able to exhaust. His prose are beautiful and turns of phrase poignant. His characters are rich and their relationships dense.

Last night, I went with my wife and a few friends to watch the film, Look and See, which is a documentary portrait of his life. There were two moments in the film that brought me to tears and put words to unexpressed elements of my attraction to Wendell’s writing. I want to share them quick before I write a longer post reflecting on the film as a whole.

Read the full article by Kris Rolls at Being-in-the-World.

 


Artwork based on Wendell Berry novels

Artist Micah Bell has produced a unique set of prints and writings inspired by the novels of Wendell Berry. They will be available for pre-order beginning tomorrow, November 7. See more information at Micah Bell Art.

The Membership 

$125, PRE-ORDER NOVEMBER 7

  • 8 limited edition art prints by Micah Bell - printed on 100% handmade, recycled paper in an edition of 100. Signed, numbered, and stamped.
  • 8 writings by artists, authors, and musicians based on the featured books and prints: David Dark, Brooke Waggoner, Stu Garrard, Sandra McCracken, JT Daly, Wesley Bates, Flo Paris Oakes, and Robert Campbell
  • 1 writing by Micah Bell
  • 1 Port William logo nickel lapel pin
  • 1 Port William Membership Member keychain
  • All prints are protected in a plastic covering and collected in a custom box adorned with Port William logo designed by Micah Bell

Laura Dunn interviewed about Wendell Berry film

By way of answering that question: what did Mr. Berry think of the film? Has he seen it yet?

He saw a 20-minute version of the film very early on. I was a little worried that once he saw that he was going to shut the whole thing down, but apparently — I don’t know this from him, but from Mary — it really moved him emotionally. But he also wondered, “Is the argument clear? Could it be clearer?” Those were his two responses, and for me that was good feedback.

To my knowledge, he hasn’t yet seen the full film. The indication is that he will eventually. He doesn’t have a TV, he’s not going to go to a movie theater — God forbid he ever set foot in a movie theater — but we’ve provided him with the means to see it, so I hope he will see it. Tanya and Mary and Steve Smith, the farmer in the film, they’ve all seen it many times now. But Wendell did tell me how much he thought the 20-minute version captures something, and how important that is, and so that’s good enough for me.

Read the complete interview by Daniel Clarkson Fisher at NONFICS.


Q&A with Wendell Berry

Your wife says your principal asset as a writer has been your "knack for repeating yourself." Why keep repeating yourself?

Because things aren't improving out here in this newly discovered rural America. Actually, it was discovered a long time ago by the Republicans and the corporations — the Democrats had forgotten it for quite a long time, and they've just rediscovered it. Forty years ago, I wrote a book called The Unsettling of America. The tragedy of that book is that it's still pertinent. If it had gone out of print because of irrelevance, it would have been a much happier book. In 1977, I thought that the farming population was at a disastrous low. Now it's somewhere below 1%.

Your main concern with economists is that they think commodities can always come from somewhere else.

This has been a dominant idea throughout our history: if you don't have it here, you can get it from somewhere else. If you use up this commodity here, you can't produce it here anymore, you've worn out the possibility here, get it from somewhere else. Or if you're short of labor or you're too good for certain kinds of labor, go to Africa and get some slaves. That recourse has haunted us, has plagued us to death.

Read the complete interrogation by Sarah Begley at Time.


Conversation about Wendell Berry

Ragan Sutterfield discusses Wendell Berry's work and ideas with Nathan Foster in this Renovaré podcast.

Wendell Berry is the kind of writer that when you read his work it can change the way you live. Ragan Sutterfield, author and Episcopal priest in training, talks this week about Berry, sabbath, and permaculture—working with God’s order instead of manipulating the world to our own ends.


On Wendell Berry's current book and film

WENDELL BERRY CELEBRATED his 83rd birthday in August. He is old. But not so old that he can’t kick and spit and fight every force that threatens to destroy his way of life and, thus, his worldview. “What I stand for is what I stand on,” the seventh-generation Kentucky farmer and urgently prolific scribe wrote in 1980. And, indeed, Berry returns again and again to his hometown of Port Royal (Port William in his fiction). By pledging allegiance to all things local, he has brought global attention to the plight of fragile rural economies and the importance of sustainable agriculture.

In his latest book, The Art of Loading Brush: New Agrarian Writings (available in November from Counterpoint), Berry continues to rage against machines: the laptops and high-tech tractors he believes are causing us to lose touch with each other and our environments. He laments the “dispersed lives of dispersed individuals, commuting and consuming, scattering in every direction every morning, returning at night only to their screens and carryout meals.”

Yes, Berry’s a bit of a curmudgeon, who likens our smartphone obsession to drug addiction and prefers horse-drawn plows to simulated horsepower. He writes longhand before his wife, Tanya, converts the manuscripts on a Royal Standard typewriter. Such anachronistic tendencies, however, point to more than mere nostalgia—namely, a clear-eyed view of the ways in which modern society is wrecking the Earth under the guise of progress. As the journalist David Skinner noted in 2012, “Instead of being at odds with his conscience, he is at odds with his times.”

See the complete article by Brian Barth at Modern Farmer.


Berry Center Bookstore to celebrate new Wendell Berry publication

Celebrating the release of the book 'The Art of Loading Brush: New Agrarian Writings' by Wendell Berry and new Larkspur Press titles with readings and art exhibit.

The Berry Center will be hosting its 4th annual open house Saturday, November 11th from 11:00am-5:00pm. This year’s celebration will feature:

• The world premiere of “For the Hog Killing, 1979,” - a collection of photographs by Tanya Berry

• Readings by Kentucky authors, including - Wendell Berry, Bobbie Ann Mason, Ed McClanahan, Gray Zeitz, Frank X Walker, Frederick Smock, Erik Reece, Richard Taylor, Mary Ann Taylor-Hall, Maurice Manning, Nana Lampton, Leatha Kendrick, Sue Richards, Trina Pieffer, and Leslie Shane

• Gray Zeitz, Leslie Shane, and the release of new Larkspur Press books

• Vermont composer and musician, Brendan Taaffe, performing

• Bookbinder Gabrielle Fox with her book, "Larkspur Press: Forty Years of Making Letterpress Books In A Rural Kentucky Community 1974-2014"

• Rollin’ Ruby’s food truck

• Refreshments, books, and unique gifts in The Bookstore at The Berry Center.


The Berry Center is located at 111 South Main Street in New Castle, KY. Street parking is available, and a municipal lot is located behind the Center on Carters Alley. For more information about The Berry Center’s Annual Open House, please contact bookstore manager Virginia Aguilar at virginiaberryaguilar@berrycenter.org or 502-743-1820.