Welcome

In the sidebar to your right under Content, you will find pages with many resources related to Mr. Berry's work.

This site is not owned, operated or sanctioned by Mr. Berry, whose disapproval of computer technology is well-documented. "I hear that I have a website, but I didn't do those things. My instrument is a pencil."

The one person responsible for all of this is me, Br. Tom Murphy (btwb@brtom.org). I am not a personal friend or employee of Mr. Berry and am thus not able to arrange interviews or appearances by him.

Please support the work of The Berry Center: "like" them at Facebook and follow at Twitter. And whenever possible, please support your local, independent bookstores.

Thanks for stopping by.


On Wendell Berry's current book and film

WENDELL BERRY CELEBRATED his 83rd birthday in August. He is old. But not so old that he can’t kick and spit and fight every force that threatens to destroy his way of life and, thus, his worldview. “What I stand for is what I stand on,” the seventh-generation Kentucky farmer and urgently prolific scribe wrote in 1980. And, indeed, Berry returns again and again to his hometown of Port Royal (Port William in his fiction). By pledging allegiance to all things local, he has brought global attention to the plight of fragile rural economies and the importance of sustainable agriculture.

In his latest book, The Art of Loading Brush: New Agrarian Writings (available in November from Counterpoint), Berry continues to rage against machines: the laptops and high-tech tractors he believes are causing us to lose touch with each other and our environments. He laments the “dispersed lives of dispersed individuals, commuting and consuming, scattering in every direction every morning, returning at night only to their screens and carryout meals.”

Yes, Berry’s a bit of a curmudgeon, who likens our smartphone obsession to drug addiction and prefers horse-drawn plows to simulated horsepower. He writes longhand before his wife, Tanya, converts the manuscripts on a Royal Standard typewriter. Such anachronistic tendencies, however, point to more than mere nostalgia—namely, a clear-eyed view of the ways in which modern society is wrecking the Earth under the guise of progress. As the journalist David Skinner noted in 2012, “Instead of being at odds with his conscience, he is at odds with his times.”

See the complete article by Brian Barth at Modern Farmer.


Berry Center Bookstore to celebrate new Wendell Berry publication

Celebrating the release of the book 'The Art of Loading Brush: New Agrarian Writings' by Wendell Berry and new Larkspur Press titles with readings and art exhibit.

The Berry Center will be hosting its 4th annual open house Saturday, November 11th from 11:00am-5:00pm. This year’s celebration will feature:

• The world premiere of “For the Hog Killing, 1979,” - a collection of photographs by Tanya Berry

• Readings by Kentucky authors, including - Wendell Berry, Bobbie Ann Mason, Ed McClanahan, Gray Zeitz, Frank X Walker, Frederick Smock, Erik Reece, Richard Taylor, Mary Ann Taylor-Hall, Maurice Manning, Nana Lampton, Leatha Kendrick, Sue Richards, Trina Pieffer, and Leslie Shane

• Gray Zeitz, Leslie Shane, and the release of new Larkspur Press books

• Vermont composer and musician, Brendan Taaffe, performing

• Bookbinder Gabrielle Fox with her book, "Larkspur Press: Forty Years of Making Letterpress Books In A Rural Kentucky Community 1974-2014"

• Rollin’ Ruby’s food truck

• Refreshments, books, and unique gifts in The Bookstore at The Berry Center.


The Berry Center is located at 111 South Main Street in New Castle, KY. Street parking is available, and a municipal lot is located behind the Center on Carters Alley. For more information about The Berry Center’s Annual Open House, please contact bookstore manager Virginia Aguilar at virginiaberryaguilar@berrycenter.org or 502-743-1820.


Solving the Wendell Berry/Ralph Ellison quotation mystery

Dear Quote Investigator: The nature writer and activist Wendell Berry has been credited with a statement about knowing one’s place in the world:

If you don’t know where you are, you don’t know who you are.

Yet, this saying has also been ascribed to the novelist and critic Ralph Ellison. Would you please help clarify this situation?

Quote Investigator: In 1952 Ralph Ellison published the landmark novel “Invisible Man”. During one key episode in the book an old gentleman approaches the narrator to ask directions. Emphasis added to excerpts by QI:

Perhaps to lose a sense of where you are implies the danger of losing a sense of who you are. That must be it, I thought—to lose your direction is to lose your face. So here he comes to ask his direction from the lost, the invisible. Very well, I’ve learned to live without direction. Let him ask.

As the forgetful gentleman approaches, the narrator recognizes him as Mr. Norton who has asked for directions in the past, and the two converse:

“Because, Mr. Norton, if you don’t know where you are, you probably don’t know who you are. So you came to me out of shame. You are ashamed, now aren’t you?”

“Young man, I’ve lived too long in this world to be ashamed of anything. Are you light-headed from hunger? How do you know my name?”

Read the complete article at Quote Investigator.


Reviewing "Wendell Berry and Higher Education"

“When professors tell their students the wrong stories, stories of heroic success rather than quotidian faithfulness, it reinforces the boomer mentality of the broader culture,” write Baker and Bilbro. Such narratives, according to Berry, convince “good young people … that if they have an ordinary job, if they work with their hands, if they are farmers or housewives or mechanics or carpenters, they are no good.”

Baker and Bilbro contrast the heady, aspirational virtues of modern academia with what they call “the sticker arts”: the arts of “right livelihood” that focus on stewardship, sustainability, specificity, and love. In so doing, they aren’t just trying to convince students to stay home—they are also encouraging them to make a home wherever they may land. After all, as both Baker and Bilbro acknowledge themselves, Spring Arbor is not their original hometown. Although their vision is to cultivate students who can remain rooted in place, they are also aware that many may move away. But the virtues they present here—stewardship, sustainability, love, loyalty—should not only be applied to our birthplaces. They are deeply needed everywhere. Anywhere boomers have ravaged a community, seeking only to consume and procure, stickers are needed to foster healing and wholeness.

As our country increasingly becomes a fractured republic, a nation divided and splintered, it is such virtues that are most likely to bring wholeness and healing back. “Berry remains convinced that genuine change begins locally rather than in the halls of centralized power,” note Baker and Bilbro. And it is only the sort of vision this volume provides that can bring such change back to the communities that so desperately need it.

Read the complete article by Gracy Olmstead at The American Conservative.


Wendell Berry to deliver keynote address at SouthWord 2017

On November 3, 2017, Wendell Berry will deliver the Keynote Address at SouthWord 2017: A Literary Feast, to be held at the University of Tennessee at Chattanooga. The event is hosted by Southern Lit Alliance (So Lit), a literary arts organization in Chattanooga, Tennessee that was founded in 1952 with a Ford Foundation grant.

See the Schedule of Events HERE

See Ticket Information HERE.

See an overview of the Feast at The Chattanoogan.


Wendell Berry and others inspire songs

The Vision was inspired by a powerful poem written by Wendell Berry that speaks deeply to my feelings about the earth, in all of its destruction and possibility. Upon meeting Wendell two times at his farm, I was amazed at how comfortable I was sitting with him and his amazing wife Tanya. I enjoyed his simplicity and how he cuts to the quick with no hesitancy or apology.

I looked this poem over and again the words that would become a song came to me and I arranged it without much effort. I usually channel poetry arrangements, but since Wendell is alive and well, I wanted to honor him and what I perceived to be his intention as clearly as I could. I did work on it more than other poems, nonetheless, it pretty much arranged itself.

I tend to select poems, melodies, and arrangements that are complex and a bit gut-wrenching and hard to sing. This one takes a lot of air! It also takes a bit of courage to sing because of the state of the world. I love the harmonies John and I do on this one.

Listen to the music and read more by Donna and John Paul Wright at The Thread in the Quilt.